By Bob Donovan, Special to the BIR January 7, 2013
Bob Donovan, Special to the BIR
Frank McCourt’s ‘The Irish And How They Got That Way’ Opens Jan. 24 at Davis Square by R J Donovan
Special to the BIR
Frank McCourt, born in Brooklyn and raised in Limerick, will forever be known as the author of the Pulitzer Prize-winning “Angela’s Ashes.” What may not be as well known is that he also wrote the musical revue “The Irish And How They Got That Way,” which premiered at the Irish Repertory Theatre in 1997. Recounting the tumultuous history of the Irish experience, both on the Emerald Isle and here in America, the evening is a colorful tapestry of music and dance with a healthy dose of irreverent humor added. The musical numbers include: “Galway Bay,” “The Rose of Tralee,” “Finnegan’s Wake,” “Has Anybody Here Seen Kelly?,” “Harrigan,” “No Irish Need Apply,” “Skibbereen,” and others.
It’s hard to fully appreciate the amazing colors and complex details in the late artist Harry Clarke’s magnificent stained glass windows The Immaculate Conception window (1925) in St. Mary’s in Ballinrobe, Co. Mayo. (Judy Enright photo)
It seems appropriate in this holiest of seasons to draw special attention to the incredibly detailed and brilliant stained glass windows designed and created by Irish artist Harry Clarke at the beginning of the 20th Century.
Clarke was born on St. Patrick’s Day 1889 on North Frederick Street, Dublin, where his father, Joshua, had a stained glass and ecclesiastical decorating business. The younger of two sons (brother Walter was exactly one year older), Harry left school at 14 to join the family business after his mother, Bridget, died. He took night classes in stained glass and won several scholarships, which ultimately led him to study the art in London and France.
Forty years ago, a quintet from Gweedore, Donegal – siblings Moya, Pol, and Ciaran Brennan, and their twin uncles, Noel and Padraig Duggan – first made its way into the Irish music scene, joining a generation of influential performers like Christy Moore, Andy Irvine, Paddy Keenan, Triona Ni Dhomhnaill, Michael O Domhnaill, Donal Lunny, Paul Brady, Kevin Burke, Frankie Gavin, Dolores Keane, and many others who helped reshape Irish traditional music.
It’s a bona-fide Boston holiday tradition that, 10 years along, has now captured wintertime fancies in other parts of New England.
This month, “A Christmas Celtic Sojourn” celebrates its first decade of bringing to the stage an inimitable blend of Celtic music, song, dance, and storytelling, with a series of performances from December 15-22 at venues in Worcester, Providence, Rockport, and Derry, NH, as well as the Cutler Majestic Theater in Boston.
Symbolizing the holiday season as indelibly as the welcoming fragrance of evergreen, “The Christmas Revels” returns to historic Sanders Theatre in Harvard Square from December 14 - 27. This year, the participatory theatrical solstice celebration that is filled with joyful music, dance, comedy and carols will focus on Irish immigration.
Lawrence O’Donnell on his MSNBC set. Photo courtesy MSNBC
When the hour came to name Barack Obama as the winner of Tuesday’s presidential election, Rachel Maddow had the honor of making the announcement for the cable network MSNBC. But it was Lawrence O’Donnell— the accidental news anchor and pundit sitting two chairs away— who was called on to put the finest flourish of a writer’s touch on the moment.
Instead, as cameras panned the crowd of jubilant Obama supporters in Chicago, O’Donnell had a suggestion: Let’s watch this crowd enjoy the moment of victory.
Opening Up Ireland’s West – There are plans afoot to develop an exciting new driving route in the west of Ireland dubbed the Wild Atlantic Way. The proposed route, which would use existing coastal routes from Donegal to west Cork, would cover 850 miles (1,400 km) and be Ireland’s first long-distance driving route for tourists.
In Boston’s Irish North End during the Civil War,
President Lincoln was not a popular figure for all
In the new film Lincoln, Daniel Day Lewis brings that towering figure into stunning life on every level. Throughout the maelstrom of the Civil War, the Boston Irish had a tenuous relationship when it came to President Abraham Lincoln.
As I see it, homicide is always evil; the degree, however, depends upon the context – circumstances and intent. Thus, we determine if the killing of another in self defense or the execution of one convicted of murder is justifiable.
In war, the killing of an enemy is an extension of the self-defense doctrine even when both sides believe they are acting in self defense or to preserve freedom and protect the homeland. One combatant killing another when neither played any role in the causes of the conflict, and when both are innocent victims, is considered justifiable.