As St. Patrick’s Day 2018 nears, the “wearing of the green” will hold sway in Boston and environs. Still, amid all the genuine or faux pride on display in pubs, along parades, and as part of all other manner of revelry, it’s a sure bet that a great many celebrants are unaware that March 17 teems with uniquely Boston milestones.
The Big Parade: Landmark Tradition
“The Parade.” In Boston, the phrase means one thing – South Boston’s annual St. Patrick’s Day event. The 2018 march marks the event’s latest incarnation in a tradition that began in 1901.
Our ten-day motor tour of the south coast of Ireland last summer included two wonderful days in County Cork, the ancestral county of my mother’s family. Eleanor Toomey Forry’s father, Timothy Toomey, was born in Macroom, and her mother, Norah (Downing), came to America from Skibbereen. I had been in Cork just once before, fully 25 years ago, but it was only for a quick six-hour drive through Kerry and Cork, with a brief stop at Blarney Castle before returning to my hotel outside Limerick.
The Jeremiahs, “The Femme Fatale of Maine” • As the folk revival has gone on, there has been a gradual proliferation, especially in more recent years, of bands that utilize the architecture of traditional music in presenting their original music – close to the tradition yet at a certain remove. The list is extensive, and would certainly be open to argument (Kila? Enter the Haggis? LAU? RUNA?), but Dublin’s The Jeremiahs is a solid, and quite creative, entry.
Irish-born Mary “Mother” Jones, one of America’s most famous labor activists, is the subject of a production featuring Tony nominee Maureen Brennan, with a score by Berklee College of Music faculty member Eleanor Aversa, to be presented this month at the Irish Cultural Centre of New England and at Berklee.
by R.J. Donovan
Frank McCourt is perhaps best known for his gripping 1996 memoir, “Angela’s Ashes.” Detailing the harshness of his upbringing in Limerick, the book remained on the New York Times bestseller list for 100 weeks and was honored with multiple awards, including a Pulitzer Prize.
The following year, McCourt created the book for the musical “The Irish…And How They Got That Way,” celebrating the Irish-American humor, determination, and struggles over the previous century and a half.
Interested in researching your Celtic roots? You can do that and so much more when you attend the Celtic Connections Conference 2018 “Pathways to Our Past” on Aug. 10 and 11 at the Marriott in Newton.
When it comes to the immigrants of yesteryear – especially Irish immigrants to America’s shores –historical distortions and outright lies abound. A huge number of Irish Americans refuse to accept any comparisons between their sacred ancestors from the old sod and the undocumented immigrants of today. Today’s Nativists hurl the argument that in the grim years of the Potato Famine, the waves of Irish streaming into America from “coffin ships” or across the Canadian border were not ever officially branded “illegal immigrants.”
For a person who was not always so fond of Florida, I seem to be spending a lot more time there of late. I expect it has something to do with my lady friend, who just happens to own a home on Marco Island. Neither of us expected to get lucky a second time following the deaths of our spouses.
For some 70 years, members of the Hynes family gave Dorchester cachet in the worlds of politics and the media.
In 1947, then Boston City Clerk John B. Hynes, a Dorchester resident, became acting mayor when the legendary James Michael Curley was moved from his mayor’s seat in City Hall to a cell in federal prison after being convicted of mail fraud while in office. Hynes later defeated Curley for the mayor’s seat three times, in 1949, 1951, and 1955, a decade when the so-called New Boston was born and nurtured in its infancy.
Friday, March 2: The Irish Cultural Centre in Canton will present a short play about The Legend of St. Brigid’s Cloak at 6:30 p.m. Children of all ages are invited to participate in the production. Calling all actors, musicians, artists, and singers to help put the show together. To sign up, email mdooher@irishculture.org or call 781-821-8291.