By Sean Smith, Special to the BIR September 28, 2018
Sean Smith, Special to the BIR
The High Seas, “The High Seas” • One of the more captivating albums of recent years, not just for its content but also its context: Young performers hitting that sweet spot in presenting Irish music with skill, and respect for the tradition, and showing some imagination in the process. The musicians in question are Caitlín Nic Gabhann (concertina, step dance), her husband Ciarán Ó Maonaigh (fiddle) and Cathal Ó Curráin (vocals, bouzouki, fiddle).
There is so much to enjoy when visiting Ireland and it’s always nice to remember your trip with a souvenir or two. But as seasoned travelers know, there is limited space and weight allowed in homebound suitcases and that could curb your urge to spend. I’ve found that handmade cards, jewelry, and small knitwear pieces – like scarves, gloves and hats – are lightweight, pack easily, travel well, and are fun to have at home.
AIDAN BREEN
Clare will defend its title against three counties, including 2018 All-Ireland Champs Limerick. Cork and Wexford will round out the group competing in the world's "fastest field sport" when it returns to iconic Fenway Park for a third time in four years.
By Sean Smith, Special to the BIR September 7, 2018
Sean Smith, Special to the BIR
Dan Gurney, “Ignorance Is Bliss” • A native of New York’s Mid-Hudson Valley, Gurney is a cross-platform app developer, co-founder of the live web-broadcasting site Concert Window, and not so incidentally, one of the country’s finest traditional Irish accordion players. “I like knowing how things work – finding answers,” he writes in the sleeve notes of this album, his second solo release.
BY DAN SHEEHAN
REPORTER STAFF
Michael Patrick Murphy knows that history is cyclical. The South Shore native spent the formative part of his adolescence in South Boston and Dorchester, attending Boston College High School and UMass Boston. At that time, running from the late ‘80s through the early ‘90s, racial tension was at a high level. Although the desegregation of the city’s public schools had been happening since the mid-1970s, it was just starting to take place at private and parochial schools, which at that point were almost exclusively white.
BY SEAN SMITH
BIR CORRESPONDENT
It’s been a heady last five years or so for Scottish Fish, a fiddles-and-cello quintet of five young Boston-area women who play traditional and original music in the Scottish and Cape Breton style.