A dramatically successful 2014 has inspired the Boston- headquartered Irish American Partnership to rejuvenate and modernize its operation and prepare for substantial growth in the years ahead.
Although audited figures are not yet finalized, at this writing the non-profit charity estimates that 2014 brought in over $1.1 million in revenue, with 85 percent going to its mission in Ireland. Donations were received from more than 30 states throughout the United States.
The huge volume of snow that has paralyzed our town over the last five weeks brought back memories for me of long ago winters when I was young, back in those post-war years in the middle of the last century.
Ireland’s Minister for Agriculture, Food and the Marine, Simon Coveney TD, spoke during a luncheon at Smith & Wollensky Steakhouse in the Back Bay last month. Photo by Ed Forry
Where’s the beef? That’s the refrain from an old TV hamburger chain commercial that’s gone down in American folklore. But for connoisseurs of natural, grass-fed steaks and roasts from Ireland, that question is amplified: “Where’s the Irish Beef?”
For the last 15 years, as far as the American market is concerned, the answer has been: “Nowhere to be found.”
It has been that long – a full decade and a half – since the USDA banned the importation of Irish beef in the wake of the so-called “Mad Cow disease” epidemic that raged through parts of Europe in 1999-2000. But this past January, the food agency gave the all-clear to Irish beef, and so the product will soon be re-introduced to America, perhaps as soon as this spring.
And so it was that Ireland’s Minister for Agriculture, Food and the Marine, Simon Coveney TD, was joined by officials from the Irish Food Board (Bord Bía) and Irish meat industry officials on a whirlwind three-day visit to New York, Washington, DC, and Boston to launch a campaign hailing the return of Irish beef to the American market.
At a luncheon at Smith & Wollensky Steakhouse in the Back Bay, Coveney was ebullient about the campaign: “We’re here to tell a story about a product that we’re very proud of,” he said. “Accessing the US market for Irish beef is a big deal in Ireland. We are the largest beef exporter in Europe, and we are the largest net exporter in the western hemisphere despite the fact that we come from a very small country.
“We have been aspiring for quite some time to build a reputation as a county that produces the best beef in the world, and if you’re not in the biggest market in the world, and you have that aspiration, well, then, there’s something seriously wrong.”
Coveney was speaking to a luncheon gathering of some 40 local restaurant owners and food buyers, as S&W chefs prepared a sumptuous meal. Featuring a Bord Bía menu entitled “Irish Beef – the flavor shows where the best grass grows,” the guests were served a three-course meal featuring a 20- ounce Irish Beef Rib-eye Steak with whipped potatoes, duck-fat roasted root vegetables, a Wollensky Salad and the restaurant’s famous chocolate cake.
“For us this has been a big effort to work with the USDA to be the first European country to be back in the US market following the banning of European beef,” Coveney said. “Millions of Americans can trace their roots back to a time where their families came from small family farms that are still intact today. But instead of now relying on potato crops, we now have an almost complete reliance in terms of how we produce food on grass.
“And it’s grass that makes Irish beef different, it’s what makes Irish beef taste different; it’s about small family-sized farms with relatively small herds that don’t use any growth promoters or hormones; they simply rely on green grass that grows in abundance in Ireland to produce top quality beef that tastes great and is absolutely natural. And we think that makes our beef quite different.”
Sean Corrigan and family: Died last weekend in fall from roof.A 42 year-old father of three died last Sunday, Feb. 22 when he fell through the skylight of a Canton warehouse while supervising snow clean-up. Sean Corrigan, a native of Co. Mayo who has been living in Medfield with his wife Sheila and three young children, was waked at Gormley's funeral home in West Roxbury this week. He will be buried in Ireland.
The news has been a long time coming – nearly sixteen years. Since the Mad Cow outbreak in the late 1990s, the US had banned the import of European beef. Now, Ireland has become the first country in Europe to meet the strictures ensuring that the meat is safe for American consumers.
The US government lifted the ban last March, but Ireland has beaten its neighbors in preparing to sell to the lucrative market across the Atlantic. The news has been greeted with elation by the Irish government and its food board, Bord Bia.
In an announcement last month on Irish national radio, the Republic’s agriculture minister, Simon Coveney, stated: “This US market is a huge prize, given its size, and the demand we know exists there for premium grass-fed beef. We now have first-mover advantage as a result of being the first EU member state to gain entry. There is also the large Irish-American community, which will be a key target of our promotional efforts.”
Ireland's Minister of State for the Diaspora Jimmy Deenihan T.D., pictured with members of the Irish Cultural Center.
Irish Fine Gael politician James “Jimmy” Deenihan T.D., the Minister of State for the Diaspora, visited Boston last month during a four-day, two-city American visit that featured immigration talks in Washington with members of Congress, Irish American business leaders, and organizations thaty support Irish citizens.
When he was in Boston, the five-time All Ireland GAA football champion, who is 63 and a member of the Irish parliament, visited the Irish Pastoral Centre in Dorchester, the Irish International Immigrant Center downtown, and the Irish Cultural Centre in Canton. He also visited the soon-to-open EM Kennedy Institute at Columbia Point and the Boston College Irish Institute in Chestnut Hill.
By BostonIrish.com... (not verified) February 5, 2015
By Judy Enright
Special to the BIR
Do you ever look at the stamps on your mail? The US Postal Service offers many different and interesting stamps that feature a variety of seasonal designs, sports, flowers, history, holidays, and more.
Ireland’s post office also offers many interesting designs and we were delighted to see that detail from church windows by famed stained glass artist Harry Clarke was featured on two of three 2014 Irish Christmas stamps. The third stamp was a Dublin schoolgirl dressed as an angel. One of Ireland’s three Christmas stamps featured a Michael McLaughlin photograph of the Infant Christ from “Adoration of the Magi,” a Harry Clarke stained-glass window in St. Patrick’s Church, Newport, Co. Mayo. HARRY CLARKE
Clarke (1889-1931), his father Joshua, and his brother Walter all worked in stained glass. Harry also illustrated books. We’ve written about Harry Clarke’s amazing artwork before but it bears repeating that if you are near any of his windows, it’s well worth taking a look. Harry’s work is often easy to spot because it is so detailed with such rich, deep colors.
I’ve always loved the story of how Harry’s large three-light window depicting “The Last Judgment” came to be installed in St. Patrick’s Church in Newport, Co. Mayo. In 1926, the pastor, Canon Michael MacDonald, sold his life insurance policy to pay for the windows. The canon specified that Harry himself was to do the work and not his studio. Harry started the work in the summer of 1930 but died the following January. Sadly for Canon MacDonald, the windows were finished and installed by his studio.
This year’s Christmas stamps were from photographs taken in St. Patrick’s Church in Newport by Michael McLaughlin, and in St.Patrick’s Church, Millstreet, Co. Cork, by Bill Power from Mitchelstown, Co. Cork. Both images are details from “Adoration of the Magi” windows in those two churches. The Millstreet photo depicts an angel playing a lute; the Newport image is of the Christ child.
The era of Irish dance-themed stage productions, which has seen “Riverdance,” “Lord of the Dance,” “Dancing on Dangerous Ground,” and “Atlantic Steps,” among others, is not over yet: Now there’s “Rockin’ Road to Dublin,” which comes to the Greater Boston area this month with performances at the Collins Center in Andover on February 20 and 21. For the show’s co-creator, Irish dancer Scott Doherty, it’ll be a homecoming – he’s a Massachusetts native, born and raised in Lawrence. A former Irish World Dance champion, Doherty made his professional debut in 2005 in the North American tour of “Riverdance,” went on world tours with “Riverdance” and Michael Flatley’s “Lord of the Dance,” and then performed in the lead role of Lorcan in Gaelforce Dance for their 2012-13 tours of Europe and Asia. He has also appeared in the Irish dance shows at Busch Gardens, and in concert with acts such as The Irish Tenors, Cherish the Ladies, Michael Londra, and Andy Cooney.
The Boston Irish Reporter recently caught up with Doherty, who talked about his background and what’s different about “Rockin’ Road to Dublin.”
The Barra MacNeils, who will perform at Medford’s Chevalier Theater on March 7, have forged a hugely successful career of nearly three decades playing Celtic music, including that of their native Cape Breton.
Legendary Celtic music performers The Barra MacNeils, who have traveled far and wide for nearly three decades to present music from their native Cape Breton, as well as Ireland and Scotland, will journey next month to Greater Boston, where they will present a concert on March 7 at 7 p.m. in the historic Chevalier Theatre in Medford.
The event commemorates the 75th anniversary of the theatre’s dedication in memory of pioneering Medford aviator Godfrey Chevalier, the first American to land an airplane on a moving ship. The Chevalier has a Greek Revival style exterior with Art Deco interior details, including a double elliptical ceiling that provides near perfect acoustics, and over the years it has hosted local and touring musical and theatrical shows, and civic, school, and performing arts events.
Now the Chevalier will add another chapter to its distinguished history by serving as a venue for the Barra MacNeils, whose performances are noted for featuring multiple lead vocalists, songs in English and Gaelic, entrancing harmonies, numerous acoustic, stringed, percussion and wind instruments, and step dancing.
If you’re among the thousands of theatergoers who attend performances each season at Lyric Stage Company of Boston, chances are you’ve crossed paths with Nora Conley, who is both Box Office Manager and Front of House Manager at the theater. Due to the skillful execution of her duties, the staff has affectionately dubbed her “Queen of the Audience Experience.”