By BostonIrish.com... (not verified) March 31, 2016
By Judy Enright
Special to the BIR
As we’ve said many times in the past, Ireland’s tourism staff are absolutely tops at promoting their favorite country. Hats off to Tourism Ireland here – called Failte Ireland there - for consistently outstanding work to publicize and share the many wonders of their small island. A foggy day at Clonmacnoise in County Offaly adds even more charm to the ancient ruin.
WILD ATLANTIC WAY
Several years ago, the tourist body designated a route along the west coast as the Wild Atlantic Way and pinpointed different types of attractions along the way. The route, which runs for 1,600-plus miles from the tip of Inishowen in Co. Donegal to Kinsale in Co. Cork, is reputed to be the longest defined coastal route in the world.
Included along the way are villages, ancient monuments, stunning views, islands, beaches, Gaeltachts (where Irish is spoken and preserved), accommodation and dining spots, and all kinds of other attractions. The designation has increased tourist visits to the West and boosted the economy immensely.
The Actors’ Shakespeare Project is closing out its season with the masterful comedy of manners, “The School for Scandal.” From the pen of Irish playwright Richard Brinsley Sheridan (adapted by Steven Barkhimer), the play weaves a witty tapestry examining the pretentiousness and hypocrisy of British high society in the 1770s.
Filled with intrigue, lust, and the perils of social climbing vs. reputation, “School for Scandal” plays at the Multicultural Arts Center in Cambridge from April 13 to May 8.
Bob Bradshaw: “I think I’ve gotten out of my own way more when it comes to putting a song together.”The Bob Bradshaw story just keeps getting better, and his music’s doing pretty well, too.
Bradshaw, a singer-songwriter from Cork, began his musical career about 30 years ago (among others he’s worked with is singer-songwriter Ron Kavana), moved to the US in the late 1980s, and eventually made his way to Boston. On impulse, he enrolled in the Berklee College of Music, almost changed his mind about attending, and ultimately – at a significantly older age than most of his fellow graduates – earned his degree in 2009.
Since getting his diploma, Bradshaw has made three recordings, including the late-2015 release “Whatever You Wanted,” making for a total of six solo albums in all, three on either side of his Berklee period. And for Bradshaw, the years at Berklee do represent a significant demarcation in his career.
“I knew how to write a song before then, but I learned so much at Berklee,” he explains. “I learned how to incorporate sound structure in a way I hadn’t before. And one of the most important things I learned was ‘strong words in strong places.’ I think it took a while to fully digest everything, but I feel like it’s really sinking in now.”
Cat and the Moon members (L-R) Elias Alexander, Eamon Sefton, Charles Berthoud, Ricky Mier and Kathleen Parks met while studying at the Berklee College of Music.The band’s name is taken from the title of a William Butler Yeats poem. Its co-founder is a protégé of renowned Sligo-style fiddler Brian Conway, one member has taught at the Boston Harbor Scottish Fiddle Camp, and another is a dynamic, peripatetic bagpiper. And over the past few years, the band has become a fixture at Greater Boston Irish/Celtic venues and events like The Burren, the Irish Culture Centre of New England’s annual festival, and BCMFest.
Don’t pigeonhole local quintet Cat and the Moon into the “Celtic” category, though. It’s just not that simple.
For one thing, there’s an unmistakable bluegrass strain running through their music, evident in the rolling cadence of five-string banjo and backing-on-the-offbeat by guitar. But wait a minute – now they’re playing a jazz/funk mash-up, in the Bela Fleck/”Newgrass” style, an electric bass line walking along the melody, and percussion accentuating the rhythm. And then they shift gears again, and tear through a bona-fide traditional Irish reel. Hey, did they just play Bach?
Irish Unity Would Boost North & South – The unification of the island of Ireland, a favorite theme of many nationalists, would produce a significant economic benefit for Ireland, north and south, says a Canadian study just released.
One hundred years ago, on Wed., April 26, 1916, shock and excitement gripped Boston’s Irish neighborhoods. Readers collectively gasped that day at the Boston Globe’s morning-edition headline: “Serious Revolt Rises in Dublin – Armed Sinn Fein Men Fought British Troops.”
The rebels had proclaimed “the birth of the Irish Republic.”
The dramatic story of the Easter Rising, which had been raging in Dublin since Monday, had finally reached Boston, and for the next few weeks, the city’s Irish pored over the Globe’s, the Herald’s, and other local newspapers’ front-page coverage of the valiant but ill-fated revolt led against the British by Padraig Pearse, James Connolly, and other rebels.
The three-night series Rebellion premieres on SundanceTV on April 24. The cast includes, from left: May Lacy, Elizabeth Butler, Jimmy Mahon and Frances O’Flaherty. Image courtesy SundanceTV
A history-from-the-top-down approach focuses on the leaders and prominent players in epochal events and movements, and a history-from-the-ground-up approach presents so-called ordinary people swept up in the bigger picture. In “Rebellion,” a five-part RTE miniseries airing this month on Sundance TV, the 1916 Easter Rising unfolds through the latter approach. The ambitious series, with its six million euro price tag standin as RTE’s most expensive docudrama, was filmed in Dublin in 2015.
The series opens with the eruption of World War I, and as the cataclysmic conflict deepens and Irish are cut down in droves on the Western Front, viewers experience the events largely in Dublin, Belfast, and London through the prism of three young women along with their families, friends, and lovers. All are juxtaposed against the gathering turmoil of the push for Irish independence. Idealism, tangled loyalties to family and social, cultural, and political tradition, raw opportunism – all of these themes others loom large in the production.
Directed by Finnish native Aku Louhimies and written and co-produced by Colin Teevan, “Rebellion” features a strong cast and some vivid performances. Notable among the stars are Charlie Murphy, Brian Gleeson, and Ruth Bradley – all well-known to many viewers from their turns in “Love/Hate” – and Sarah Greene, of “Penny Dreadful.”
Murphy plays medical student Elizabeth Butler, whose family and fiancé are determined to show their support for both the British war effort and for Home Rule. She goes in a decidedly different direction by joining the women rebels led by Countess Constance Markievicz. Their mission is to seize and hold Stephen’s Green and set up headquarters in the Royal College of Surgeons during the Rising. Gleeson is Jimmy Mahon, an Irish Citizen Army man in love with Elizabeth.
The decline of a nation usually is the result of internal forces that undermine its strength and confidence. The likely nomination of Donald Trump and the possibility of his being elected president is more than alarming; it’s perilous. I have lived under thirteen presidents and during seven wars. The election of Trump represents a clear and present danger to our union like no other I have seen.
Irish voters may have shot themselves in the foot in the Parliamentary election in late February. In the wake of the catastrophic recession of the last decade, Ireland seems to be confused about which of its political parties and which of its politicians it wants to lead the country into its immediate future.
They have not chosen a workable government and it may be necessary to vote again in a month or two if a major compromise cannot be achieved by the hodgepodge of political parties and independents who were elected.