By BostonIrish.com... (not verified) June 29, 2017
It’s such fun to discover and explore different places in Ireland. No matter how many times you visit, you can always find something new if you just get out and look around.
Every spring for the past 20 years, I’ve rented the same house on Clew Bay in Co. Mayo as my base to travel all over the country. But, in spite of its proximity, I had never been to Clare Island, which, you might say, is a mere stone’s throw away - just three miles off the West Coast. A friend and I changed all that this spring with a two-night stay on this lovely island.
Some 70,000 fans jammed into Gillette Stadium in Foxborough on the night of Sun., June 25, to hear for themselves that U2 has still got it. Bono & Co., who are on a 17-city tour commemorating the 30th anniversary of The Joshua Tree album, didn’t disappoint.
Sticking primarily to a set list consisting of songs from legendary album, the band displayed its customary gusto, tuning into their fans’ emotions with anthems like “Still Haven’t Found What I’m Looking For” and the quiet and reverential ode “Mothers of the Disappeared.”
Those emotions were given full voice when front man Bono, as he often does on stage, stepped back and let the fans enthusiastically sing the lyrics while The Edge, Adam Clayton, and Larry Mullen Jr. played along, breaking up The Joshua Tree celebration with a range of U2 hits like the show openers “Sunday Bloody Sunday,” “Pride (In the Name of Love),” and “Bad,” and the closing cuts from later albums “One” and “Ultraviolet” and the high-energy “Elevation” and “Vertigo.”
Van Morrison, “Keep Me Singing” • It’s the 36th studio album for the one-time window cleaner from Ulster – now into his eighth decade – and the first one in four years containing new material. Eleven of the songs on “Keep Me Singing” are Morrison’s compositions – the exception is Alfred Bagg and Don Robey’s “Share Your Love with Me” – and he also penned the concluding instrumental track, “Caledonia Swing.” And yep, he’s still got it: The voice sounds deeper, more full-bodied, but he can still bring that growl, that passion, and he can still croon.
Much of the album has a deliciously relaxed feel to it – low tide after a sublime beach day, or closing time at an intimate little nightclub tucked away in the heart of town. Morrison is as soulful as ever on “Every Time I See a River,” “Out in the Cold Again,” “Memory Lane” and “Holy Guardian Angel,” with gentle but unobtrusive orchestral strings underneath.
July will see some celebrated female Irish/Celtic acts come to Greater Boston and vicinity:
• Mary Black, one of Ireland’s most influential and accomplished female singers, will bring her “Last Call” tour to Eastern Massachusetts this month with two performances, on July 27 at Scituate’s River Club Music Hall [theriverclubmusichall.com] and July 29 at the Cabot Theater in Beverly [thecabot.org]. Black announced a few years ago that she would wind down her performances abroad, but decided to add a second leg to her US tour. The Dublin native first rose to prominence in the 1980s as a solo singer as well as a member of the traditional band De Dannan. Her albums “By the Time It Gets Dark” and “No Frontiers” established her as an international star of folk, contemporary, and traditional genres, and led to her appearance on the landmark compilation recording “A Woman’s Heart,” along with other pioneering Irish female artists like Maura O’Connell and Dolores Keane. She has accumulated numerous honors from, among others, Irish Music Magazine, The Irish Post and Hot Press Awards.
• Another featured performer on “A Woman’s Heart,” Sharon Shannon, will play at the Irish Cultural Centre of New England in Canton on July 8. Over more than two decades, Shannon has taken the Irish accordion into many different settings, from traditional to Appalachian, country, rock, hip-hop, reggae, French-Canadian, and Portuguese music. She has collaborated with such luminaries as Christy Moore, Jackson Browne, Sinead O’Connor and, perhaps most memorably, Steve Earle on his hit song “Galway Girl.” Shannon recently released the album “Sacred Earth.” For information on the concert, see irishculture.org
Hanneke Cassel has now spent half her life in Boston, and it’s fair to say she has made the most of that time: anchoring Irish, Scottish and Cape Breton sessions in and around the city; performing at venues such as Johnny D’s, Somerville Theater and Club Passim, and in special events like “A Christmas Celtic Sojourn,” the ICONS (Irish Connections) Festival, BCMFest, and shows with the Childsplay fiddle ensemble; and doing her part to inspire and mentor the next generation of Celtic fiddlers through lessons, workshops, and, especially, the annual Boston Harbor Scottish Fiddle Camp.
Last summer, Broadway’s Ciarán Sheehan delivered a heartfelt performance as Billy Bigelow in “Carousel” at Reagle Music Theatre in Waltham. This month, the acclaimed Dublin-born actor, singer, producer, healer returns to Reagle from July 6-16 to star as dashing Gaylord Ravenal in the timeless Jerome Kern-Oscar Hammerstein musical, “Show Boat.” Boston’s Sarah Oakes Muirhead co-stars as Gaylord’s love interest, Magnolia.
For fiddler Tommy Peoples, a key figure in the late 20th-century Irish music revival, Boston was a relatively brief but enjoyable interlude in a long and productive career.
A Donegal native, Peoples was an original member of The Bothy Band, appearing on its first album. He was involved in other seminal recordings of the era, including a 1977 release with Matt Molloy and Paul Brady and Brady’s “Welcome Here Kind Stranger” in 1978. He also made several of his own albums, among them “The High Part of the Road” (with Brady), “A Traditional Experience with Tommy Peoples” and “The Iron Man.” In 1998, TG4 presented him with its first Traditional Musician of the Year Award and honored him again in 2013 as Composer of the Year.
Respiratory problems forced Peoples to give up fiddling several years ago, but he has now released a concert album recorded in 2005 – at the tail end of his four-year stay in the Boston-area community of Malden. It’s a period on which Peoples looks back fondly: In a recent email from Donegal, where he returned after his time in Boston, he recalled playing music at favorite sessions in area pubs like Kitty O’Shea’s, The Burren, The Druid, O’Leary’s, Matt Murphy’s, and O’Neill’s – and with a long list of friends and acquaintances.
BOSTON – Billy Higgins of South Boston returned from Ireland recently warmed by the wonderful reception he received in County Donegal where he presented a check for $20,000 to the Patient Social Fund of the Ballaghderg Preschool for children with special needs including moderate to severe intellectual disabilities and complex care needs.
The check was given on behalf of the Southill Children’s Fund of Boston which Billy founded in the early 1980s to help students in Southill, Limerick, Ireland.
In the wee hours of Mon., May 12, 1958, the roar of printing presses and the revving of truck engines announced the arrival of The Globe Newspaper Co. at its new home, 135 Morrissey Blvd. in Dorchester. For the previous 86 years, right up to the day before the move, the Globe had sent its editions, The Daily Globe in the morning, the Evening Globe in the afternoon, and The Sunday Globe, to its readers throughout New England from a venerable building on over-trafficked Newspaper Row on Washington Street in downtown Boston where the paper had been born in 1872.
My niece and her family from Atlanta just returned after a whirlwind 12-day visit to Ireland. It was a first-ever visit to their ancestral homeland, and, like most first-time visitors, they spent much of their days traveling in a rented motorcar, East to West, South to North, taking in as much as they could of the spectacular sights of the island.